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Friday, September 20, 2013
I just downloaded IOS 7 tonight. This Sucks!
Well, here is my response people. I am completely disappointed in IOS 7. I can deal with the cartoon coloration on the Icons. It is very Grand Theft Auto style and kind of cool. I like the photo album dividing the videos and pics. I like several of the other things. My only problem is the fact that is runs SO DAMN SLOW!!!!!!!! Like a 486 trying to run an XBOX 360 game slow. I'm about to delete my music off the phone to see if it runs better. If it doesn't I will use my free upgrade from Verizon to get a run of the mill android phone or just cancel my data plan and use one of my insurance replacement phones I kept in a box in case of emergency. So my question for the Iphone 4 users, are you having problems with processing IOS 7? Is it taking you 5 million years to type out a text message?
Tuesday, July 30, 2013
Frida Kahlo and Her Emotional Art
Frida
Kahlo was an interesting woman to say the least. Remembered today as a famous
Mexican artist, she spent her whole life expressing herself in ways that seem deviant
from the status quo. There are many reasons she chose to live the life she did,
but she was also very much a product of her environment. Born in 1907, just
before the start of the Mexican Revolution, and using this event as a corollary
for her life, she embarked on a journey that would leave a surrealistic impact
for generations to come.
Frida could have lived a more normal life if she so
choose to, but some people are destined to be different. She was raised by an
atheist European father and a Catholic native mother and had a life greatly
affected by tragedy. As a child she contracted polio, which left one of her
legs shorter than the other, and this was later complicated by a severe injury
due to a trolley accident that negated any chances she would ever have of
having children. She was involved in politics, as a member of the communist
party and she was married to a muralist by the name of Diego Rivera, a
communist also, who greatly influenced her life and her art. It was evident in
her early years that she would not conform to typical societal norms. She flew
in the face of tradition by rebelling against typical female roles. At times
she dressed in men’s suits for photos, and had relationships with women. It was her life with Diego, her political
leanings, and her marriage that really shaped who she was in her later years.
She was also plagued throughout her life with many surgeries and several
miscarriages, which she expressed in many of her paintings in very great morbid
detail.
Frida’s paintings were a visual journal into her soul.
Instead of painting neutral landscapes and people, all of her paintings carried
a meaning beyond just the subject. They all told a story about a particular
time in her life, or of a certain event, and the accompanying emotions. The
paintings covered many aspects in their composition: Her love and frustration
for her husband, Diego, her origins, political overtones, tragedies she
suffered, and morbid representations of herself from her surgeries and
suffering.
Frida was not afraid to express her
Ideas as she saw them in her head. She once said “"I paint my own reality. The only thing I know is that I
paint because I need to, and I paint whatever passes through my head without
any other consideration." (2) It was this concept that drove every
painting that she made. It is also this mindset that propelled her into recognition.
It is what set her apart from the other artists of the period.
This no restraints theme is
really exemplified in a lot of her paintings. One of her paintings, her family
tree picture titled “My Grandparents, My Parents, and I.” The picture depicts a
surrealist timeline of how she came to be. It clearly shows her grandparents
descent. The native grandparents depicted on the left and the European ancestry
on the right with her parents in the middle. It is set over a Mexican landscape
with the typical buildings, arid landscape with cacti, and rugged terrain. It
is also another timeline within a timeline of herself. It shows her
fertilization, her mother carrying her embryo, and a young naked depiction of
herself. It tells the story of the reality of how she came to be and her ties
to the land where she was born. This picture is also a good representation of
the fact that many of her paintings told a story about Frida.
She
expressed, in several paintings, her love for her home. In one painting titled
“Self Portrait on the Borderline Between Mexico and the United States.” She
shows a story about her dislike for America, and her love of home. On one side
of the painting, her home country is depicted. The skies are clear, and the sun
is shining next to the moon. Exotic plants, and Mexican sculpting are strewn
across the landscape. On the other side America is depicted with factories and
clutter. Windowless buildings rise into the sky with smoke billowing out of
chimneys around a representation of the American flag. It shows a stark
contrast between where she is and where she came from. The technology and
expanse of manufacturing are shown as a negative aspect when compared to her
home where her roots were.
Her
paintings weren’t limited to her attachment to place or family, and they were
not all neutral. Many of her paintings explored her pain. Pain with her
marriage was one recurring topic. The marriage between herself and Diego was
rocky to say the least. Many times he was referenced in his marriage was
because he was being unfaithful to Frida. It is important to note that it
wasn’t just Diego that was unfaithful. There were numerous occasions that Frida
had extra marital affairs. One painting titled “Diego and I” clearly symbolized
her pain. It depicts Frida in anguish. “Frida painted this self-portrait during the period
when her husband, Diego Rivera, was having a notorious affair with the film
star Maria Felix, a relationship which provoked a public scandal. The beautiful
film star was also an intimate friend of Frida's as well.” (3) The symbolism of
the painting relates the pain that she felt, and that she couldn’t get Diego
off her mind. This was actually in opposition to what she conveyed in public,
and highlighted her own inner struggle. Interestingly after their first
divorce, they remarried and stayed together for the remainder of Frida’s life.
Another topic of pain
expressed in her art was related to her injury in the trolley accident.
Throughout her life she had to have many operations on her back and pelvic
area. This had her laid up in the hospital for long periods of time, and gave
her a lot of time to think and paint. Her obsession with her failing body was
shown in her painting “The Broken Column.” In this picture, she depicts herself
torn open and in a strap-like medical devise. It is obvious through the visuals
of tears, a broken landscape, and the nails in her body that she is in severe
pain. In this picture it was related to her failing back which is depicted as a
broken stone column.
She had many other
sources of pain that she also painted. Her lifetime battle with the injury took
away any chances she had of bearing children. This didn’t stop her from
becoming pregnant on multiple occasions, but every pregnancy ended in tragedy.
This was a source of inspiration for some of her most topically graphic
paintings that she ever did. Her painting titled “Henry Ford Hospital” depicted
the ordeal of the abortion of one of her failed pregnancies. The picture shows
Frida laying nude, bleeding, and still swollen from pregnancy on a bed with no
blanket for comfort. Attached to, and surrounding her are images of the ordeal.
The upper three images are one of her defective uterus, the soon to be dead
fetus, and a snail. The lower three images are of medical equipment, a flower
blossom, and her pelvic bone. There is an inherent significance to each of
these images that shows how fragile and painful her life was.
Painting wasn’t the only
thing that she did to express her emotions. During the later period of her life
she also kept a journal where she expressed her deepest feelings. It is also
here that true insight can be gained into her obsession with her own death and
her thoughts about taking her own life. One popular quote from her journal also
delves into the aspect that she knew she wasn’t a normal woman. “I
used to think I was the strangest person in the world but then I thought there
are so many people in the world, there must be someone just like me who feels
bizarre and flawed in the same ways I do. I would imagine her, and imagine that
she must be out there thinking of me too. Well, I hope that if you are out
there and read this and know that, yes, it's true I'm here, and I'm just as
strange as you.” (3)
Aside from
self-expressionism through surrealistic paintings, Frida, along with Diego had
an impact on politics. Both of them were firm in their communistic ideals.
Throughout their lives they hosted other communists in their home, including
famous figures such as Leon Trotsky. An interesting note with this was that
this was one man that Frida had an affair with. Both of them didn’t have a
smooth relationship with communism though. At one point they both left the
party, but they later rejoined.
Frida Kahlo was one of
the most interesting painters of the 20th century. Through the
course of her short life she painted many pictures that speak to people of all
ages. The paintings tell the story of her life and her emotional struggles.
They show her troubles with her husband, the pain of not being able to have
children, her attachment to her land, and many other aspects that made her who
she was. If not for her difficult life, it is certain that society would be
without her legacy.
Sources:
1.
"Frida Kahlo - The Mexican Surrealist Artist, Biography and Quotes -
The Art History Archive." Frida Kahlo - The Mexican Surrealist
Artist, Biography and Quotes - The Art History Archive. N.p., n.d. Web. 25
Mar. 2013.
2.
"Gallery." Frida Kahlo, Paintings, Pinturas, Works,
Art, Obras, Self Portrait, Autorretrato, Cuadros, Significado, Meaning.
N.p., n.d. Web. 29 Mar. 2013.
3.
"Frida Kahlo Quotes." Frida Kahlo
Quotes (Author of The Diary of Frida Kahlo). N.p., n.d. Web. 29 Mar. 2013.
4.
Herrera, Hayden. Frida, a Biography of Frida
Kahlo. New York: Harper & Row, 1983. Print.
An Examination of Moral Leadership and Hypocrisy in Webs of Smoke: Smugglers, Warlords, Spies, and the History of the International Drug Trade.
There were many great leaders during the
period of the late 1800s to the mid-1900s that held themselves to a moralistic,
opium opposing code. There was a great many more individuals, and companies
that fell into the pit of hypocrisy and greed, serving their own
self-interests, political agendas, and bank accounts. The book Webs of Smoke
gives an in depth narrative of the opium trade, and the way the web of
smuggling opium was sown around the world. It provides the needed proof that
the global smuggling web wasn’t a government conspiracy as many have believed.
Webs of
Smoke was written by Kathryn Meyer and Terry Parssinen. Both
were highly educated in general and in respect to the information throughout
the book. Kathryn Meyer graduated with
her bachelors from the University of Vermont, and received her doctorate from
Temple University. She was a professor of East Asian History and was a teacher
at Temple University-Japan, Ohio Wesleyan University, Lafayette College, and
Wright State University. She was awarded a National Endowment for the
Humanities fellowship for support in research for this book. Terry Parssinen
graduated with Bachelors from Grinnel College and his Ph.D. from Brandeis
University. Both were in history. He was a teacher at Grinnel College, Temple
University, the University of Maryland, College Park, and the University of
Tampa. He has previous writing experience in the narcotics trade. (WOS: about
the authors) Both of these authors have significant experience necessary in
order to be professionals writing a book such as this. They used countless case
files, books, and interviews in order to combine all of the needed information
to present a historical story of the days before during and after the peak of
the illicit opium smuggling days.
As
the book highlights throughout the beginning chapters, in the middle nineteenth
century, the opium trade was something that went about without much hassle.
Traffickers in opium saw it as just another commodity that they could use a
good profit maker because it had low bulk and high value however, this low
hassle profit maker wouldn’t last long. 1906 marked the year that the British,
Americans, and Chinese would work toward regulations that would rid illegal
uses of opium within ten years. (WOS 2)
There
were several key players that would be at the forefront of this mission to
eradicate illicit opium use: Sir Malcolm Delevingne and Harry Anslinger. They
would make their careers sole purpose eradicating the practice of smuggling,
and using opiates. Their careers were plagued with problems from beginning to
end. They were plagued with uncooperative countries that had lenient sentences
for criminals caught trafficking, politicians and movements that used opium to
their advantage, wars that stalled conferences, resourceful smugglers and crime
rings that found new sources when others dried up.
It
is unfortunate that their careers were so plagued with problems. Their mission
would have been much more successful if it weren’t for the rampant hypocrisy
throughout the world in relation to opium use. Instead of ultimate success in
all areas there was an enduring legend that the political world imposed genocide
among different ethnic groups, such as was the case with the article “Dark
Alliance” when the author accused a link between the CIA and the cocaine
traffickers that sold to the black community. (WOS 278)
The
book does a good job throughout proving that rampant political hypocrisy was
the reason that certain ethnic groups fell into the grips of opium, not a
global conspiracy to impoverish certain ethnic groups. Every country was
guilty, to a degree, of providing china with opium to further their cause. The
British, Turks, Japanese, Chinese military leaders, and even the Chinese
Communist party, as well as others all had some involvement with providing
Chinese citizenry with opium. When it was legal, the British were a major
shipper of the drug, but they were willing to gradually reduce the supply “if
the Chinese could demonstrate a willingness to end opium use in their kingdom.”
(WOS 42) As all sides worked towards tighter control the supply of opium
shifted from a legitimate shipping source to more nefarious illicit
trafficking. That was the point in the book where the magnifying glass
transitioned from countrywide scope of shipping, to the individual groups. Some
were corrupt politicians that turned a blind eye, some were warlords using the
opium as a source of funding, some were businessmen who needed capital; and
others militant organizations looking for a way to rise in power. The
interesting thing is that none of these groups could really function
independently of one another. They needed cohorts from other groups that wanted
either money or drugs, or both, to be able to accomplish their missions.
One
interesting example was the case of Du Yuesheng, Huang Jinrong, and Zhang
Xiaolin. “The men belonged to the Green Gang, a secret society that dominated the
wharves and water transport along the Yangzi River.” (WOS 145) These men were
involved in many things, but they were also interested in shipping opium for
cash. This was troubling because being caught was never good for future
business prospects. “Huang brought to the opium organization a second crucial
link for success: police contracts.” (WOS 146)
This
evidence is central to the premise of the book, as well as other similar tracts,
because it shows that the whole government itself typically wasn’t involved
with the trafficking of narcotics. It was dirty dealings between organized
crime rings and corruptible government officials. Often government officials
would be bribed to turn a blind eye, sometimes they were also members of the
crime racket itself. It was hypocrisy of government officials, not a
clandestine conspiracy theory.
Though the
book is very good at narrating a general timeline but, it is slightly chopped
up from chapter to chapter. Instead of a normal general from beginning to end
story, it is more like a textbook used for chapter learning. All of the
chapters cover and recover a slowly progressing timeline, but each chapter is a
story in its own category. Such as a chapter on warlords from the period of
1916 to 1937(WOS 141), then the following chapter involving soldiers of
fortune, which covers 1927 to 1937(WOS 175). Each is like its own book. The
reader has to remember the names from chapter to chapter to gain the ability to
put any general storyline together. Such as with the fact of the quick mention
of Harry Anslinger in the beginning, and then the whole chapter involving him
near the end. That choppiness is somewhat troublesome for character
development. It was time consuming at times to go back and re-read a section on
a specific person, such as Goto Shimpei. He was mentioned, and briefly talked
about seven times, over the course of about one hundred pages.
This book
could have benefited with a better linearized track from the beginning to the
end. A good book to use as an example for a more linear path would be The
Lizard King: True Crimes and Passions of the World’s Greatest Reptile Smugglers
by Bryan Christy. Both of these books were very similar in the smugglers actions
throughout them. Smugglers in both instances operated in much the same way:
fake shipping labels, fake compartments, dirty deals, paid off officials, and
double crosses all to make money from a low bulk item. It was just easier to
follow Christy’s book than it was it follow Meyer’s and Parssinen’s book.
Webs of
Smoke is definitely a book worth reading. Most people have
passing knowledge of the fact that China had opium dens, but outside of movies
and pop culture, most people don’t know what really happened during the war on
opium. The authors do a good job of informing the prospective reader about the
major events surrounding the trade, and, many minor events and players in the
trade. With a little imagination, the reader is able to imagine being in the
opium dens watching the users smoke opium. They are able to imagine being a fly
on the wall listening to all of the backroom planning needed to coordinate a
big shipment, or seeing paid off officials just brush by what they know are
chests full of opium. It was an in depth historical story of the action, deals,
money, and treachery of the big players on both sides of the law. It portrayed
a real wild-west story during the turbulent years before, during and after the
world wars.
To the Women Who Look For Love on Craigslist
Why
do you even bother trolling the classifieds for something serious when the men
that post here are looking for an easy score?
So what if they say they are looking for something serious and have a somewhat attractive photo?
If your even lucky enough to find a post like that, most of them are a picture of a penis or in reality the picture is 10 years old and the dude is actually fat at married?
I could tell you that I'm 23, but you would have no proof.
I could tell you that I'm fit and comfortable walking around with my shirt off, but you would have no proof.
I could tell you that I am a romantic guy, but in reality I'm just looking to get in your pants.
You just don't know.
Maybe you should get off the computer, go out with your friends, and bat your eye lashes around the bar. Maybe you should actually say hi to that cute guy in English class.
Just do something! Sitting around passively looking gets you nowhere and makes you depressed.
Anyway.......................................
If I havent scared you off yet..
And If you are.............:
Brunette
Short
Fit
Funny
Sarcastic
and have an Amazing butt. EMAIL ME!
Or if you are a SPAMMER.
Do so also, because spam is the only response anyone ever gets.
I love the random Email messages from spammers, and i get nude photos.
Its like Christmas!
So what if they say they are looking for something serious and have a somewhat attractive photo?
If your even lucky enough to find a post like that, most of them are a picture of a penis or in reality the picture is 10 years old and the dude is actually fat at married?
I could tell you that I'm 23, but you would have no proof.
I could tell you that I'm fit and comfortable walking around with my shirt off, but you would have no proof.
I could tell you that I am a romantic guy, but in reality I'm just looking to get in your pants.
You just don't know.
Maybe you should get off the computer, go out with your friends, and bat your eye lashes around the bar. Maybe you should actually say hi to that cute guy in English class.
Just do something! Sitting around passively looking gets you nowhere and makes you depressed.
Anyway.......................................
If I havent scared you off yet..
And If you are.............:
Brunette
Short
Fit
Funny
Sarcastic
and have an Amazing butt. EMAIL ME!
Or if you are a SPAMMER.
Do so also, because spam is the only response anyone ever gets.
I love the random Email messages from spammers, and i get nude photos.
Its like Christmas!
Medea’s Tragic Medicine
The tragedy of Medea illustrates the actions of a woman
scorned. Left by her husband and her heart destroyed she chooses how to best
get back at him for his unloving deed. This play showcases the wits of a woman
who has been hurt and the dark thoughts that she has in her mind. In the
opening of this play, Jason, her husband, has left her for a more prominent
woman in the city. Medea, left alone with her children, will choose how to
exact revenge on him. Throughout the story she came up with many different ideas
of how to accomplish this, but in the end she decided to kill her two sons and
poison the woman Jason now loves. In killing her children Medea hopes to show
Jason how wrong he has been in leaving his wife for someone else. She wants to
cause Jason the same amount and kind of pain that he has caused her by going to
bed with another woman. Also by killing the children it is to protect them from
a life of poverty brought on by having no father to take care of them.
In this plan there is much reluctance
from Medea because of her maternal love for the children. She did manage to
overcome her maternal feelings and kill both of her sons. In overcoming the
hardships of this action she thinks about many aspects that will help her
overcome the difficulty she blames herself for getting into the situation, when
she destroyed her family to be with Jason. She tells herself that Jason didn’t
treat her well and appreciate her for the way that she has treated him, and
that the gods are concerned with keeping of promises. There were also several
key events that pushed Medea towards fulfilling the plan. The first instance is
when Creon comes to Medea’s home to banish her. Being told to leave the only
city that she feels somewhat safe hurts her. Creon thinks that because of her
public outcries to the chorus that she will plan some revenge. This suspected
action from him starts to set the plan into a concrete resolution. Creon
decided, after pleading from Medea, that she can stay one day to get her
affairs in order and figure out where she is going to go. A second event that further
hardened her plan was when Jason came to see her. He came saying that what he
did was for the best of the family and that Medea should be grateful because
the marriage to another woman furthers the whole family. He tells Medea that
she is being selfish for being so upset and trying to turn him into a bad
person. This makes her very angry at him because, even if it did further the
family, it broke the sense of security that marriage is supposed to provide. The
3rd point that finally would bring her plan to fruition was her
friend from another city coming to her town. After talking with him about what
happened she gained a place of refuge for herself, and her children, even
though they wouldn’t actually be going with her.
The audience
of this play would feel somewhat tied to what happened because of the way that
the chorus and the rest of the characters interacted with Medea. What happened
to Medea could have very well happened to many other women at the time of the
play, and even today. The ideas of moral injustice are very well suited to
immersing an audience in the play. People in the audience could have felt as if
one particular character or another could have very well been representing
them. In society there are people who have been hurt by a lover. There are
people who have left a lover. There are people who have been in the chorus’
position, and in the position of the woman who Jason was to marry.
A character
who I felt most tied to was Jason. Every man has had thoughts of leaving his
current lover for another. Feelings of attraction fade overtime, especially
when the initial start of the relationship was formed from an injustice. Karma
comes back to get people when they aren’t morally just. Medea lost her life
that she knew, but that life was formed on a bad action. Jason lost his new
love, but that new love was a result of leaving a wife and children.
Tuesday, June 18, 2013
Dog vs Cat in a Bag Attack
Thursday, May 23, 2013
Powerblock TV Blogged My Video!
I'm just going to give you the link and not embed the video so you can see its actually come true. After years of talking about cars, someone in the auto industry blogged about something I recorded.
http://blog.powerblocktv.com/2011-ford-mustang-vs-1970-pontiac-gto/
http://blog.powerblocktv.com/2011-ford-mustang-vs-1970-pontiac-gto/
Labels:
1970,
2011,
gto,
hot rod,
mustang,
powerblock tv,
television,
youtube
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